学术
摘 要:
中国古代文学作品对同性恋的态度比较宽容、理解，但基本上可以概括为男作家对男性同性恋现象的书写。五四时期，女作家对女性同性恋的表现成为五四文学的一道特殊景观。作家多以对同性恋的描写作为批判社会的立足点，其中也包含了一种对自然人性的公开表达。当代陈染、林白们对女性同性恋现象的表现带有女权主义意昧。男作家王小波的《似水柔情》则从社会学角度对中国同性恋作了理性探寻。20世纪80年代以来，台湾同性恋小说大致经历了由古典的编织传奇故事的写法到描述伤心的精神流浪旅程再到“新感官”书写的三个阶段的变化。[著者文摘]
文章出处:
《广西师范大学学报：哲学社会科学版》-2007年43卷4期 -42-46页
栏目信息:
分 类 号:
文献标识码:
A
文章编号:
1001-6597（2007）04-0042-05
相关文章:
Homosexuality in Chinese Literary Works
LIU Xiao-bo （Department of Chinese Language and Literature, Henan Institute of Education, Zhengzhou, 450014, China）
Abstract:
Generally speaking, in the Chinese ancient works, one can see that people are tolerant towards homosexuality, but in most cases such toleration is represented by male writers towards the gays. At the time of the May 4^th Movement, however, women writers also gave understanding to lesbians. They criticized the inequality of the society through the description of the homosexual, calling for the need of the human nature. Contemporary women writers of the Mainland China like Chen Ran and Lin Bai move so far that they approach lesbians from a feminist point of view, while Wang Xiaobo probes rationally into the phenomenon of homosexuality in modern Chinese from the perspective of sociology in his novel Tender Sentiment. Roughly speaking, the writers of Taiwan China have gone through three stages since the 80s of the 20^th century, classic legends, sad, lonely internal struggle, and the body pleasure.[著者文摘]
Key words:
Chinese literary works; homosexuality; representation
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