摘 要:
巴赫金的“狂欢化”理论为解读莎士比亚戏剧《泰特斯·安德洛尼克斯》提供了新的批评视角。本文借助巴赫金的“狂欢化”理论着重分析该剧中狂欢化表现的三个方面,即狂欢国王的加冕脱冕、怪诞现实主义和复调对话,并就巴赫金“狂欢化”理论对于狂欢节中暴力因素的忽视以及戏剧中复调存在的可能性作了探讨。[著者文摘]
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文章出处:
《外国文学研究》-2007年29卷1期 -104-110页
Foreign Literature Studies
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Title: Titus Anclronicus: An Interpretation from the Perspective of Bakhtin' s Theory of Carnivalesque
Shao Xueping is a Ph. D. candidate at the Department of English Language & Literature, Peking University ( Beijing 100871, China). Her research focuses on Shakespeare studies. Email: lierretakk@ yahoo. com. cn
Abstract:
This article attempts to interpret, in the light of Bakhtin' s theory of the earnivalesque, William Shakespeare' s Titus Anclronicus by highlighting the illustration of three concepts of the earnivalesque in this play, namely, the crowning and deerowning of the mock king, grotesque realism and polyphonic dialogism. In the meantime, it discusses the neglect of the violent elements in carnival in Bakhtin' s theory of the eamivalesque and the possibility of the polyphonic dialogues.[著者文摘]
Key words:
carnivalesque Titus Andronicus Bakhtin

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