学术
摘 要:
作为审美主体人类的审美意识的形成,作为书法艺术审美对象的汉字的衍变及汉末的政治、文化等方面原因,使得汉末书法艺术产生具有了可能性;从书法史发展本身及汉末书坛的状况等方面又可看到,汉末书法艺术存在是确实的。在汉末,作为整个书学系统中的书法美学系统开始形成,从而确立了汉末为中国书法史上第一个重要转折时期。[著者文摘]
文章出处:
《内蒙古大学艺术学院学报》-2007年4卷3期 -95-98页
分 类 号:
文献标识码:
A
文章编号:
1672-9838（2007）03-0095-04
相关文章:
The End of Han Dynasty Making for Self - knowledge-- A brief account of the first important turning point of the history of Chinese calligraphy
ZHANG Shu - chang （ Chifeng Calligraphy and Painting College, Chifeng 024000 ）
Abstract:
There was the possibility of the creation of calligraphy art of Han dynasty due to various causes such as the formation of the human aesthetic consciousness as main body of aesthetic and the evolution of the Chinese characters as objects of calligraphy art as well as the political and cultural reasons. We can see that the existence of Han Chinese calligraphy art is true from the history and development of the Han calligraphy field at the end of Han dynasty. At that time, the calligraphy aesthetics system as in the whole calligraphy system began to take shape so as to establish the first important turning point of the history of Han Chinese calligraphy.[著者文摘]
Key words:
calligraphy history; the end of Han dynasty; turning point; self - knowledge calligraphy period; turning
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