摘 要:
哈贝马斯把尼采看成是步入后现代的标志,事实上,所谓尼采开启的后现代是在德里达这条线索上得以真正展开的。从尼采到德里达,这是后现代的最内在最彻底的进向,那是回到酒神狄俄尼索斯精神的后现代。德里达当年在语言学和文字学层面解构逻各斯中心,寻求语言无底且无边的游戏,这在后现代时代的感性解放和图像霸权那里得到充分回应。这也表明,德里达所揭示的解构面向,具有后现代的预言性质,无疑也是后现代开启的标识。德里达后来转向他者的伦理学,关注在绝境中的解构,强调没有宗教的宗教性,期待弥赛亚的到来。这些都表明,他对后现代时代的一种新的人文价值关怀。[著者文摘]

文章出处:
《学术月刊》-2007年39卷12期 -14-27页
栏目信息:
分 类 号:
文献标识码:
A
文章编号:
0439-8041(2007)12-0014-14
Rethinking The meening and Turning of Postmodernism about Derrida
Chen Xiaoming
Abstract:
Juergen Habermas saw Nietzsche as a mark of entry to postmodernism. Nietzsche founded postmodernism but it was Derrida who fully developed it. From Nietzsche to Derrida, postmodernism took the most intrinsic and most covert road with a return to the Dionysus spirit. Derrida once deconstructed Logos in the dimension of linguistics and grammatology, exploring the bottomless and endless game of language, which has received full response from sentimental liberation and image hegemony of postmodern era. This indicates that the dimension of destruction disclosed by Derrida carries the prophetic of postmodernism, which undoubtedly signalizes the beginning of postmodernism.[著者文摘]
Key words:
deconstruction, postmodernism, ethic of other, aporia
基金资助:
本文为教育部人文社会科学研究2005年度规划基金项目成果《解构主义与中国当代文学批评》的核心部分,项目批准号:05JA750.11-44001.

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