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“歌者之词”与“文人之词”

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杨雨

中南大学文学院,湖南长沙410083

海南大学学报:人文社会科学版
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国际标准刊号:ISSN -1
国内统一刊号:CN 46-1012

摘  要:

从传播学角度而言,宋词的发展以宋室南渡为界,由口头传播的“歌者”“应歌”向以书面传播为主、抒发个人情感和文人之间的酬唱应和转化,传播媒介除了歌者,更大程度上依赖于纸质媒体的书面传播,词学理论的成熟和系统化均成为南宋文人之词时代的主要特征。[著者文摘]

Humanities & Social Sciences Journal of Hainan University

栏目信息:

语言文学

分 类 号:

I207.23

文献标识码:

A

文章编号:

1004-1710(2007)06-0661-08

相关文章:

主题相关

"Singers' Ci" and "Scholars' Ci"

YANG Yu (College of literature, Central South University, Changsha 410083, China)

Abstract:

Ci experienced 2 communication phases in regard to the usage of communication media: "singers' Ci" period (from Tang Dynasty to North Song Dynasty) and "scholars' Ci" period (from South Song Dynasty to early Yuan Dynasty). During the first period, Ci propagation mainly depended on singers'songs. To be songs of singers was the main objective of Ci, and Ci was in the phase of oral media. During the second period, Ci propagation mainly depended on paper media such as letters, presswork, etc. The most important feature of Scholars' Ci is that the creation of scholars no longer needed to consider the taste and literary training of singers, therefore, the authors tended to express their personal life experience, emotion and to exchange their works. Ci gradually became a delicate literature product and developed its own classical style.[著者文摘]

Key words:

singers' Ci ; oral media; scholars' Ci ; papers media

收稿日期: 2007-06-04

作者简介:

杨雨(1974-),女,湖南长沙人,中南大学文学院教授,博士,主要从事唐宋词研究。

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