学术
摘 要:
张爱玲塑造的一系列西化的男性角色是亲历了西方现代文明的“上海人”对现代的想象。张爱玲利用“上海人的观点”颠覆了“五四”文人的现代观，然后又以颓废的现代观消解了“上海人”的现代观，最后以“蹦蹦戏花旦”的传统形象反拨了西方的颓废的现代观。而对现代观的逐步消解和传统“花旦”形象的建构则是通过西化背景的男人与传统背景的女人之间的故事逻辑来完成的。[著者文摘]
文章出处:
《海南大学学报：人文社会科学版》-2007年25卷6期 -678-681页
栏目信息:
分 类 号:
文献标识码:
A
文章编号:
1004-1710（2007）06-0678-04
相关文章:
On the Imagination of Modernism and the Male Characters Described by Chang Eileen
ZHANG Mei （International Cultural Exchange School, Qufu Normal University, Qufu 273165, China）
Abstract:
The westernized male characters in Eileen Chang＇ s works are modernist imaginations of natives of Shanghai , who experienced the modern western civilization. However, there is a great gap between Chang＇ s view and ＂the views of the Shanghai natives＂. First, by exploiting the views of natives of Shanghai, Eileen Chang overturned the view of modernism of the intellectuals of the May Fourth Movement. Then she deconstructs the view of modernism of natives of Shanghai with the decadent modernistic view. Meanwhile, with the gradual deconstruction of view of modernism, the final construction of the image of traditional ＂female role＂ got realized through the pattern of story which happened between men with westernized background and women with traditional background.[著者文摘]
Key words:
modernism ; ＂the views of natives of Shanghai＂ ; decadence; tradition; ＂female role＂
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