学术
摘 要:
中国文学史的编写已有近百年的历史。就其范式而言，大致有三种类型。早期由林传甲、黄摩西、谢无量等所撰写的中国文学史，相互之间虽然差异甚多，但相同点是明显的，都将学术史视为文学史的重要组成部分。1920年代以降，中国文学研究加快了由传统向现代转型的进程，其显著特点是，以诗、文、小说、戏曲作为文学所特有的样式，文学史不仅以这四种文体作为主要叙述对象，而且在叙述中贯彻了“一代有一代之所胜”的思路，即格外突出《诗经》、楚辞、汉魏乐府、唐诗、宋词、元杂剧、明清小说。进入90年代后，第三种范型开始出现，一批学者不约而同地追求中西会通的境界，即一方面合理地引入某些西方概念，以激活中国的学术传统，另一方面又充分注意中国文学中某些特殊的现象、范畴，力求给予同情之了解。文学编年史就是在这种学术背景下兴盛起来的。陈平原、陈文新、刘勇强、赵伯陶等学者长期从事中国文学史研究，在中国文学史的编写方面积累了若干心得。这组笔谈表达了他们对部分问题的看法。[著者文摘]
文章出处:
《南京师大学报：社会科学版》-2007年3期 -114-118页
栏目信息:
分 类 号:
文献标识码:
A
文章编号:
1001-4608（2007）03-0114-15
Research on Compiling and Writing the History of Chinese Literature
Abstract:
The writing and compilation of the history of Chinese literature boasts of a history of more than one hundred years. Three paradigms about it emerge. The earliest paradigm is set up by Lin Chuanjia, Huang Moxi and Xie Wuliang. Albeit there are differences among their versions of the history, the similarities are patently clear, that is, they take the history of scholarship as its vital component. From the 1920s onward, the scholarship on Chinese literature has been quickening its modern transition, which is characterized by encompassing a wide range of genres such as poetry, essays, novels and dramas. By the same token, the history of literature takes these four genres as its main object for narration and moreover, has the main thread of ＂one generation after another has its strengths ＂ running throughout its narration. Put another way, it gives prominence to The Song of Poetry, The Songs of Chu （i. e., Chu-Ci）, Ballads （Yuefu） in Han and Wei Dynasties, Tang Poetry, Song Ci-poetry, Miscellaneous Dramas in Yuan Dynasty and novels in Ming and Qing Dynasties. The third paradigm makes its appearance after the 1990s. A host This constitutes the bulk of the second paradigm of scholars, knowingly or unknowingly, seek the commensurabilities between the West and China. Simply put, on the one hand, they rationally introduce some western concepts in a bid to energize the Chinese traditional scholarship; on the other hand, they give special consideration to the distinctive phenomena and categories in China literature and grant them due attention and sympathy. It is against such an academic backdrop which arises the chronicled history of literature. The following are the essays are written by Chen Pingyuan ,Chen Wenxin, Liu Yongqiang and Zhao Botao, renowned experts on the writing of and research on the history of Chinese literature, through which they vent their opinions on this topic in question.[著者文摘]
Key words:
History of Chinese literature ; compilation and writing of literature history ; the chronicled history of literature
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