摘 要:
对女性自我定义权的强调与肯定是丁玲作为一个女性主义作家的标志。在莎菲身上,自我定义权表现为对肉体欲望的肯定,以及对爱的主动追求。从1929年到1931年,丁玲由于受到时代的规范,逐渐在其小说创作中消磨了这一标志性的内涵。从丽嘉到美琳再到玛丽,她小说中的女性越来越屈从于革命/男性的指引,重新沦为次性。这些人物形象自我定义权的丧失殆尽,显示了女性主义写作在那个革命时代必定溃败的命运。[著者文摘]
文章出处:
《南京师大学报:社会科学版》-2008年1期 -142-147页
Journal of Nanjing Normal University (Social Science Edition)
栏目信息:
分 类 号:
文献标识码:
A
文章编号:
1001-4608(2008)01-0142-06
[参考文献]
The Losing of the Rights of Female Self-actualization and the Defeat of Feminism Writing in the Revolution Time( 1928-1931 )
XU Zhong-jia
Abstract:
As a symbol of feminism writer, Ding-ling's stories emphasize the rights of female self-actualization.However, from 1929 to 1931, under the influence of writing criteria, she gradually wore away the feminist idea which was a symbol of the fate of the feminism writing in the time.[著者文摘]
Key words:
the rights of female self-actualization ; feminism writing; revolution; Ding-ling
收稿日期: 2007-05-18
基金资助:
中国博士后科研基金(20070410839)

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