摘 要:
帕慕克在《我的名字叫红》中不仅运用了侦探小说的情节结构,也运用了社会现实小说的情节结构,通过此种结构模式及借以“细密画”这一独特的象征物,他写出了两种绘画风格、传统与个人才能乃至两种文化之间的冲突与杂合,并以融合东方和西方的小说技法实践了他所倡导的文化杂合思想。[著者文摘]
关 键 词:
文章出处:
《外国文学研究》-2008年30卷1期 -138-144页
Foreign Literature Studies
栏目信息:
Cultural Conflict and Cultural Hybridity: The Metaphor of Plot Structure in My Name is Red
Li Weihua ( School of Literature and Journalism, Sichuan University( Chengdu 610064, China)
Abstract:
In My Name is Red, Orhan Pamuk not only applies the plot structure of detective fiction, but also that of realistic fiction. In addition, the work uses the unique symbol "miniature", through which Pamuk presents the conflict and hybridity of two painting styles, traditional and individual talent, and two cultures. On the other hand, he practices the idea of cultural hybridity he advocates in the combination of Eastern and Western novel technique.[著者文摘]
Key words:
Orhan Pamuk My Name is Red cultural conflict cultural hybridity plot structure

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