学术
摘 要:
本文根据民和土族纳顿上演的面具舞“庄稼其”及“杀虢将”的相关传说故事，对二者进行了释读。认为“庄稼其”反映了土族先民从游牧生活逐步走上农耕生活的历程，展现了不同民族之间文化的冲突与整合现象。“杀虢将”反映了土族先民的历史生活，以及历史生活中人与自然关系、人神关系。“杀虢将”是土族先民造神过程中尚未成型的信仰类型。[著者文摘]
文章出处:
《青海民族学院学报：社会科学版》-2007年33卷2期 -43-47页
分 类 号:
文献标识码:
A
文章编号:
1000-5447（2007）02-0043-05
相关文章:
The Interpretation of the Mask- dances in the Tu＇s Nadun （Part one）
WEN Zhong - xiang
Abstract:
This paper interpreted the mask -dance ＂Zhuangjiaqi＂ and ＂Shaguojiang＂ performing in Tu＇s Nadun in Minhe county of Qinghai Province according to its details and legend, the author think the ＂Zhuangjiaqi＂ reflected the process from the nomadic to the farmer of Tus＇ancestry, emerged the cultural conflict and integrate phenomenon among different nationalities. The ＂Shaguojiang＂ reflected history life of Tus＇ ancestry, relation between the person and the nature and between the person and gods in the history life. Shaguojiang is a faith that type havn t formed in the process of making goods by the Tus＇ancestry.[著者文摘]
Key words:
the Tus in Minhe county ; Nadun ; Mask - dances ; ＂Zhuangjiaqi＂ ; ＂ Shaguojiang＂
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