学术
摘 要:
《西厢记》与《牡丹亭》中的两梦——“草桥惊梦”和“游园惊梦”分别借剧中人物张生和丽娘之梦表达出创作者强烈的主观情感和思想境界。“草桥惊梦”,张生之情起于梦而止于梦；“游园惊梦”,丽娘之情发乎梦却超越梦。一梦见出历史的无奈与真实,一梦见出理想的追索与光芒。[著者文摘]
文章出处:
《西华师范大学学报：哲学社会科学版》-2008年1期 -40-42页
栏目信息:
分 类 号:
文献标识码:
A
文章编号:
1672-9684（2008）01-0040-03
相关文章:
There is an Affection in Dreams and Outside Dreams --Comparative Analysis of Dreams in The Xixiang and The Mudan Pavilion
LUO Xing-ya（School of Humarities, Southwest Univerisity of Petroleum, Chengdu 610500, China）
Abstract:
＂The Dream of the Straus Bridge＂ and ＂The Dream in Visiting the Garden＂, two dreams in Ths Xixiang and The Mudan Pavilion show the strong feetings and ideological state of the creators. In ＂The Dream of the Straw Bridge＂, Zhang Sheng＇s affection begins with dreams and ends with dreams, but in ＂The Dream in Visiting the Garden＂, Li Niang＇s affection begins with dreams and overstep dreams. From a dream we can see the helplessness and reality of history and the search and flash of ideals.[著者文摘]
Key words:
＂The Dream of the Straw Bridge＂; Zhang Sheng; ＂The Dream in Visiting the Garden＂, Li Niang;history ; ideal
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