The study of Jewish art and visual culture, which has been cultivated for over a century in European, American and Israeli institutions, has burgeoned in the recent years. Major universities have established graduate programs that integrate Jewish art and visual studies and Jewish museums dot the landscape in Israel, Europe and North America. Contemporary scholarship on Jewish art and visual culture intersects with concerns of the wider academy; a lively interchange among scholars has ensued. The field has now achieved the breadth and maturity to sustain an international journal that represents the interests of this interdisciplinary community of scholars. The IMAGES invites scholarly articles on Jewish art and visual culture, ranging in time from Greco-Roman antiquity to the present day. Articles may concentrate on any geographical area in which Jewish participation had an impact, and any discipline, including architecture, painting, sculpture, treasury arts, book arts, graphics, textiles, photography and film, and other areas of the visual environment. In addition, IMAGES welcomes articles on historiography and theory, as well as textual studies that reflect on the themes of the journal. Each edition of IMAGES will include 4-5 articles; reviews of books and exhibitions; and notices of scholarly conferences or symposia on Jewish Art.