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文献信息
Containing lively and provocative essays, Cambridge Opera Journal has a well-established reputation for publishing first-rate scholarship from researchers at all career stages. The Journal publishes high-quality articles on all aspects of opera, including music, librettos, staging and scenery, costumes, non-European operatic traditions, the canon and canonicity, reception, touring and travel, as well as the local, trans/national, colonial, and postcolonial contexts for these phenomena. Carefully researched and often illustrated with music examples and pictures, articles adopt a wide spectrum of critical approaches. As well as major articles, each issue generally includes review-essays on recent publications in the field. Cambridge Opera Journal awards a prize for best paper by a junior scholar at the biennial Transnational Opera Studies Conference (TOSC@). Cambridge Opera Journal is a fully open access journal.
vol.37 (2025)
vol.36 (2024)
vol.35 (2023)
vol.34 (2022)
vol.33 (2021)
vol.32 (2020)
vol.31 (2019)
vol.30 (2018)
vol.29 (2017)
vol.28 (2016)
vol.27 (2015)
vol.26 (2014)
vol.25 (2013)
vol.24 (2012)
vol.23 (2011)
vol.22 (2010)
vol.21 (2009)
vol.20 (2008)
vol.19 (2007)
vol.18 (2006)
vol.17 (2005)
vol.16 (2004)
vol.15 (2003)
vol.14 (2002)
vol.13 (2001)
vol.12 (2000)
vol.11 (1999)
vol.10 (1998)
vol.9 (1997)
vol.8 (1996)
vol.7 (1995)
vol.6 (1994)
vol.5 (1993)
vol.4 (1992)
vol.3 (1991)
vol.2 (1990)
vol.1 (1989)